PEQUEÑO SÁHARA (2023)

Those who do not know the Sahara think that in the desert there is only sand. But here there are children, who play and draw and make movies, and who would like not to have to think about war. In the desert there is a European colony, an occupied country, called Western Sahara, and there are thousands of Sahrawi refugees living a hard life in exile. LITTLE SAHARA is an animated documentary that tells their story, that of a solidary and resilient people who try thrive and grow up in the Hamada, where everything struggles to grow.

🇬🇧»LITTLE SAHARA» is an animated documentary made from the animation workshops carried out by Emilio Marti in the Camps for the Saharawi refugee population in the Algerian desert. Using the testimony of the students of Pioneers School in Tindouf (the original version of the film is in Arabic Hasania) «LITTLE SAHARA» tells the history of Western Sahara, the reasons of it being the last European (Spanish) colony in Africa, how Morocco occupied it, and what it means having to live as a refugee in the desert so as not to suffer the war and the Moroccan reprisals. All this, illustrated with animations made by the young students or from their drawings and paintings. The workshops were possible thanks to Fisahara and Nomads, and the distribution of the short film during 2023 will be done by the Institut Valencià de Cultura Generalitat Valenciana, in its «CURTS – BEST OF VALENCIAN FILM» catalogue

AWARDS

🇬🇧  Director’s Statement. As a filmmaker and an art therapist I believe strongly in the power of art and filmmaking to change social realities and to improve people lives. I think that it is of the upmost importance that we tell those stories that are rarely told, and that we learn to watch and listen to them, especially when they affect something that affects us all as humans: human rights, the right to happiness, the right to a safe and meaningful life. Through film —and especially animated documentaries— I try to use art to give life to stories that talk about the need for these rights that we sometimes give for granted, and I try to do so in a moving way, that gives space to hope and that is somehow a call to action. My movies try to access those places difficult to access through raw documentary materials (as in MAKUN, in which we animated the drawings found in a detention center where reporters are not allowed in) or because the theme can be felt as arid and difficult to understand (as in LITTLE SAHARA, where a 50 years old conflict keeps thousands of people living in the middle of the desert).